Paul Tessier
For The Morning Star
Roots-music troubadour and multiple Juno Award-winner Bill Bourne grew up with music.
鈥淚 remember so many times falling asleep upstairs in our farmhouse,鈥� Bourne said. 鈥淚鈥檇 be in my bed in and I could hear the music downstairs. That memory is still very comforting to me. That鈥檚 something I鈥檒l always remember.鈥�
He鈥檒l be playing some of that down-home, roots-based music live for the Vernon Folk-Roots Music Society Saturday, Nov. 18 at the Spitfire Lounge of the Army, Navy and Airforce Club.
Bourne grew up in a very musical family on a farm near Red Deer, Alta, and fondly remembers lots of music in the house.
鈥淢y mom and dad had a band when I was a little kid. They were pretty busy of course with the farming, but they鈥檇 always somehow find time to play music. Weekends would come along 鈥� especially in the winter months 鈥� people would come over and pretty soon there鈥檇 be all this music. As kids, it was kind of cool because we got to do stuff they wouldn鈥檛 let us do normally, because they were busy playing music,鈥� Bourne said with a hearty laugh.
At the age of 11, his uncle dropped off his clarinet.
鈥淚 put that thing together and started playing it immediately. I loved it but then a couple of years later, I started hanging out with some guys at school who wanted to start a band. The clarinet didn鈥檛 work with guitars. They said, 鈥楾hat鈥檚 crazy. What鈥檚 with this clarinet? Get that thing out of here.鈥� That sort of put a damper on the clarinet playing so I started playing guitar.鈥�
He then naturally gravitated the songwriters like Gordon Lightfoot, Bob Dylan and Paul Simon. He played in bands throughout high school and got his ticket as a licensed diesel mechanic. He was working as a mechanic for about a year when he got into the music business.
鈥淚 quit my job, took my guitar and went to see a booking agent and auditioned,鈥� he said. 鈥淭hey put me to work right away, playing in bars in northern Alberta.鈥�
It proved to be a quick learning experience.
鈥淲hen all of a sudden your living depends on your music 鈥� you learn a lot in a hurry,鈥� Bourne said. 鈥淚t ends up being really good for your playing.鈥�
The booking agent wanted him to know 50 top 40 country songs and get a Rhythm Ace or electronic drummer.
鈥淚 never did get a Rhythm Ace,鈥� he said. 鈥淚 made a pact with myself when I quit my job as a mechanic that I was only going to play music that I really wanted to play. I wasn鈥檛 going to let anybody tell me what to play. I鈥檓 glad I made that pact with myself because that way I was able to pursue the music that I liked best. I sort of understood from the very beginning that the greatest asset you have as an artist is your own uniqueness.鈥�
It was around then that he started writing songs 鈥� a process he finds to be both an art and spiritual in nature.
鈥淎s a songwriter, I can sit down and write lyrics all day,鈥� Bourne said. 鈥淏ut every once in a while, all of a sudden, something seems to take over my body and a song will come up that blows everything else away. That to me is art. You can premeditate to a certain degree what you鈥檙e going to write about but when this phenomenon 鈥� this sort of inspired moment occurs 鈥� that鈥檚 what really gets my attention.
鈥淪o, as an artist, if you鈥檙e fortunate enough to have those inspired moments occur and you manage to capture them, what happens is that there鈥檚 a uniqueness that comes out 鈥� a unique perspective. There鈥檚 a real potency to those moments,鈥� he said. 鈥淲ithout those songs, it鈥檚 much more difficult to be unique. But to me, sometimes I feel like I can鈥檛 really claim authorship to those songs because it鈥檚 like it came from another place.鈥�
Over the years, he鈥檚 been nominated for eight Juno Awards and has won three Junos, including Best Roots Recording in 1991 for Dance and Celebrate.
He鈥檚 collaborated with all sorts of folks, including the Tannahill Weavers and Alan McLeod, Shannon Johnson, Wykham Porteous, Madagascar Slim and others. Along the way, he鈥檚 noticed a common thread running through the themes of most great songwriters.
鈥淭he message is consistently about universal love,鈥� Bourne said. 鈥淭hose inspired moments, which give life to those inspired songs, almost always have that underlying, powerful message.鈥�
Although the message on Saturday, Nov. 18 might be about universal love and other themes, expect his show to be joyous and even raucous.
鈥淢y music is essentially based on dance rhythms. Lately, I鈥檝e taken to playing some blues on banjo, which I鈥檓 really getting into. I also play the stomp-box a lot because I like to play music that鈥檚 uptempo and very danceable. If people want to get up, shake a leg and sing along, that鈥檚 definitely fine by me.鈥�
Bill Bourne will be performing many of his inspired songs for the Vernon Folk-Roots Music Society Saturday, Nov. 18 at the Spitfire Lounge of the Army, Navy and Airforce Club. Show time is 7:30 p.m. Doors open at 6:45 p.m. Tickets are $25 and are available through The Ticket Seller, 250-549-7469, , the Bean Scene Coffee House and at the door if available.
