The opening reception for a new exhibit celebrating the works of sculpturist Peter Soehn will be held Friday, July 14, 6 to 8 p.m., at the Lake Country Art Gallery.
The exhibit runs July 14 to Aug. 26.
You won’t find much about Soehn on the Internet, aside from the occasional credit on a roadside attractions website, or as the creator of some bizarre “world’s largest sculpture“ in Western Canada.
In a time before digital posts occupied our lives, we spent time outside, visiting petting zoos, waterslides, theme parks and fruit stands.
In Furbish: Remnant Themes of Post-Amusement, artist Scott August explores what little remains of Soehn’s unrecognized legacy, from unearthing a buried 1970s Billboard, to posthumously documenting the artist’s mind-boggling studio.
All that remains of Soehn’s efforts are fading family photographs, unfinished sculptures and dust-covered memories.
Born in Saskatchewan in 1933, Soehn not only created characters of rural life, he himself was exactly that.
Soehn worked as a television prop builder and on-camera painting instructor in Alberta and in 91´ó»ÆѼ at CHBC during the 1960s and ’70s.
In the ’80s, his family created ambitious folk-art sculptures and theme-parks for the amusement of others, from the demolished 91´ó»ÆѼ Zoo to the redeveloped Old MacDonald’s Farm. But today, very little remains of his work in the Okanagan.
August is a 91´ó»ÆѼ-born artist working between the Okanagan and Vancouver, he has been actively photographing and collecting what remains of the Soehn’s attractions.
August has previously exhibited at the 91´ó»ÆѼ Art Gallery, the Alternator Centre for Contemporary Art, Victoria’s 50/50 Gallery, Vancouver’s Interurban Gallery, and abroad at Pop Montreal Arts Festival and Chicago’s Three Walls Gallery.